Julie Adler
Paintings
2019
2017 – 2018
2015 – 2016
2013 – 2014
2012
2009-2011
Works on Paper
Another Day on Earth (2017 to present)
21 Taras
Many Days
Another Day on Earth (2014 – 2016)
Another Day on Earth (2011 – 2013)
Another Day on Earth (2007 – 2010)
Workbooks (1996 – Present)
Performances + Moving Image
2012 – Present
Braids and balls
2008
Nothing is Broken
2000 – 2004
Same as I/Cut Through
EarJam
Chair
Lodged Part II
A Stone’s Throw
Caught
Can Can
1995 – 1999
Improv with 2 Telephones
Inbedded
Philomela
Next to the Pale
Of Its W(h)ole(y)ness
Tunnel Love
Anathema for a Few Bodies
My Call to Prayer
The Alien Within
En Plein Air – Residency at Ecole Nationale des Beaux Arts
Objects
Miscellany
Exhibitions
2019 July Kamikazes @ Post – Tenuous Connections
Do You See What I See?
Campbell Hall Residency – Lodged (part III)
Susanne Vielmetter Los Angeles Projects – Summer Viewing Rooms
“Midnight Caesura” at Jaus Gallery
About
Bio
CV
Statement
News
Contact
Paintings
2019
2017 – 2018
2015 – 2016
2013 – 2014
2012
2009-2011
Works on Paper
Another Day on Earth (2017 to present)
21 Taras
Many Days
Another Day on Earth (2014 – 2016)
Another Day on Earth (2011 – 2013)
Another Day on Earth (2007 – 2010)
Workbooks (1996 – Present)
Performances + Moving Image
2012 – Present
Braids and balls
2008
Nothing is Broken
2000 – 2004
Same as I/Cut Through
EarJam
Chair
Lodged Part II
A Stone’s Throw
Caught
Can Can
1995 – 1999
Improv with 2 Telephones
Inbedded
Philomela
Next to the Pale
Of Its W(h)ole(y)ness
Tunnel Love
Anathema for a Few Bodies
My Call to Prayer
The Alien Within
En Plein Air – Residency at Ecole Nationale des Beaux Arts
Objects
Miscellany
Exhibitions
2019 July Kamikazes @ Post – Tenuous Connections
Do You See What I See?
Campbell Hall Residency – Lodged (part III)
Susanne Vielmetter Los Angeles Projects – Summer Viewing Rooms
“Midnight Caesura” at Jaus Gallery
About
Bio
CV
Statement
News
Contact
Miscellany
‘Ball Bearings’, used volleyballs, stockings, linocut, block print ink, 2015
